These quinces make a good subject, but are also for eating; if they were merely for display they'd be mannequinces.
Oil on canvas board, 16" x 10"
Daily painting exercises in tonal realism since February 2013; adorned with terrible puns since 2014.
These quinces make a good subject, but are also for eating; if they were merely for display they'd be mannequinces.
Oil on canvas board, 16" x 10"
The towel saved the citrus by providing lemon aid; otherwise they might have dried of natural causes.
Oil on canvas board, 16" x 20"
I had to paint these squashes of unusual size on a larger canvas -- I didn't want the scene to be too squashy.
Oil on canvas board, 16" x 20"
Having nominated a location for a paint-out with my friends Paul and Hiro, I said, "See you in Hall-orans Lane".
Oil on canvas board, 12" x 16"
Trialling the 9x5 format in preparation for the VAS 9x5 Exhibition. I quite enjoyed it, though I'm not sure I could do it 9 to 5.
Oil on canvas board, 9" x 5"
This painting didn't quite turn out as I'd hoped: I think I'd better bone up a little so I really know my onions.
Oil on canvas board, 8" x 10"
This painting is pretty much finished -- it's all Dunbar the shouting.
Oil on canvas board, 12" x 16"
I found there was a certain degree of difficulty painting this building from such an angle causing me to wonder if perhaps I had ideas above my station.
Oil on canvas board, 8" x 10"
This is somewhat larger than my usual outdoor effort, so it was essential to paint quickly (though not quite at the speed suggested by the location).
Oil on canvas board, 12" x 16"
I was painting these rolling hills when a couple of cows hooved into view.
Oil on canvas board, 8" x 10"
I'm worried that the reproduction of this silo painting might be a bit grainy.
Oil on canvas board, 8" x 10"